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Oxford University Press The Oxford Book Of Engl...
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Edition de Philip Ledger408 pages 220x147mmThis book presents 60 of the very best madrigals for SATB, chosen from the many hundreds of possible candidates. The major composers of the genre are each represented by several madrigals and the lesser figures by one or more.SATB unaccompanied Bateson: Those Sweet Delightful LiliesBennet: All Creature NowBennet: Weep, O Mine EyesByrd: Lullaby, My Sweet Little BabyByrd: This Sweet and Merry Month of MayByrd: Though Amaryllis DanceCavendish: Come, Gentle SwainsEast: Poor is the LifeEast: Quick, Quick, Away, Dispatch!East: No Haste But Good!Farmer: Fair Nymphs, I Heard One TellingFarmer: Fair Phyllis I SawFarnaby: Consture My MeaningGibbons: Ah, Dear HeartGibbons: Dainty Fine BirdGibbons: O That the Learned PoetsGibbons: The Silver SwanGibbons: Trust Not Too Much, Fair YouthGibbons: What is our Life?Greaves: Come Away, Sweet LoveKirbye: See What a Maze of ErrorMorley: April is in my Mistress´ FaceMorley: Fyer, Fyer!Morley: Hard by a Crystal FountainMorley: I Love, Alas, I Love TheeMorley: Leave, Alas, This TormentingMorley: My Bonny Lass She SmilethMorley: Now is the Month of MayingMorley: Sing We and Chant ItMorley: Though Philomela Lost Her LoveMorley: Whither Away So Fast?Ramsey: Sleep, Fleshly BirthTomkins: Adieu, Ye City-Prisoning TowersTomkins: Music DivineTomkins: O Yes! Has any Found a Lad?Tomkins: See, See the Shepherds´ QueenTomkins: Too Much I Once LamentedVautor: Mother, I Will Have a HusbandVautor: Sweet Suffolk OwlWard: Come, Sable NightWeelkes: As Vesta WasWeelkes: Come, Sirrah Jack, Ho!Weelkes: Hark, All Ye Lovely SaintsWeelkes: O Care, Thou Wilt Despatch MeWeelkes: Hence, Care, Thou Art Too CruelWeelkes: Since Robin HoodWeelkes: Sing We At PleasureWeelkes: Strike It Up, TaborWeelkes: Thule the Period of CosmographyWeelkes: The Andalusian MerchantWeelkes: Thus Sings My Dearest JewelWilbye: Adieu Sweet AmaryllisWilbye: Draw On, Sweet NightWilbye: Flora Gave Me Fairest FlowersWilbye: Lady, When I BeholdWilbye: O What Shall I Do?Wilbye: Sweet Honey-Sucking BeesWilbye: Yet, Sweet, Take HeedWilbye: Weep, Weep, Mine Eyes

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Dover A Russian Song Book
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Twenty-five traditional folk songs, plus 19 songs written in the folk style by 20th-century composers such as Shostakovich, Knipper, and Zakharov. Each of the songs appears with a vocal line, full piano accompaniment, and guitar chords. The lyrics are shown in the original Cyrillic, in transliteration, and in an English translation.Reprint of the Random House, New York, 1962 edition.All Throughout The Great Wide World I Wandered Along The Peterskaya Road Clouds Have Risen Over The City Dark Is The Night Do Not Awaken My Memories Do Not Scold Me And Do Not Reproach Me Down Along The Mother Volga Down The Volga River Dubinushka Far Away, Far Away Farewell To Happiness In The Meadow Stood A Little Birch Tree In The Valley Kalinka Katiusha Lonely Accordion Meadowland Moscow Nights My Heart My Sweetheart No Sounds From The City Are Heard Oh You Dear Little Night Regimental Polka Should The Volga´s Banks Be Flooded Silently Snow Flurries Song Of Greeting Song Of The Volga Boatmen Stenka Razin Strains Of Guitar Strolling Home The Boundless Expanse Of The Sea The Cliff On The Volga The Light The Little Bell The Slender Mountain Ash The Story Of The Coachman The Village On The Road Through The Village Troika Rushing Wait For Me Wait For Your Soldier Who Knows Why Why Do You Gaze At The Road

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Mel Bay Bay William - Mel Bay´s Caroling Book, ...
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Media Type : BookLevel : Multiple LevelsMusical Genre : ChristmasNumber of pages : 16A fun, sing-along, melody-line/big-note caroling book with lyrics in both English and Spanish. Perfect for the holiday season. Easy to read and fun to use.

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Chester Music Petti - The Chester Book Of Motet...
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DescriptionThe volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time.All appear in completely new editions by Anthony G. Petti.SonglistAgnus Dei [Morley, Thomas]Alleluia [Taverner, John]Audivi [Taverner, John]Ave Verum Corpus [Byrd, William]Cibavit Eos [Byrd, William]Dum Transisset [Johnson, Robert]Euge Caeli [Tallis, Thomas]Gloria Laus [Tye, Christopher]In Manus Tuas [Shepherd, John]Sancte Deus [Tallis, Thomas]Senex Puerum [Byrd, William]Venite Comedite [Byrd, William]

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Orange Book
57,23 €
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Eine Frage ? Eine Beratung ?Unsere Mitarbeiter stehen zu Ihrer Verfugung, wenn Sie technische Fragen haben oder nur einfach eine Verfugbarkeit kennen mochten. Bitte rufen Sie uns an, ein deutschsprechender Kollege wird Ihnen beantworten.

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Dover Monteverdi Claudio - Madrigals - Book Vii...
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DescriptionHere are all of the madrigals from one of the Baroque master´s most popular books, reprinted from an authoritative Italian edition. They feature modern notation with text underlay, commentaries, new Preface, new English translations of the original prefatory material, and Italian texts in verse format facing new English line-for-line literal translations. Reprint of Tomo IV and Tomo V of Tutte le opere di Claudio Monteverdi, published nel Vittoriale degli Italiani, 1927. Table of Contents for Madrigals, Book VIII: Madrigali Guerrieri et Amorosi Preface Original title page and translation Original dedication and translation Original foreword (Claudio Monteverde to the Reader) and translation Translations of the Introductory Texts to the Dramatic Pieces Vocal Texts and Translations CANTI GUERRIERI [SONGS OF WAR] Sinfonia (for two violins and a viola da braccio, to precede No. I) I. Altri canti d´Amor, tenero arciero (for six voices with four viols and two violins) 2a. Hor che ´l ciel e la terra e ´l vento tace (for six voices with two violins) b. Così sol d´una chiara fonte viva [same voices and instruments] 3a. Gira il nemico insidïoso Amore (for three voices: alto, tenor, and bass) [same voices throughout No. 3] b. Nol lasciamo accostar, ch´egli non saglia c. Armi false non son, ch´ei s´avvicina d. Vuol degl´occhi attaccar il baloardo e. Non è più tempo, ohimè, ch´egli ad un tratto f. Cor mio, non val fuggir, sei morto e servo 4. Se vittorie sì belle (for two tenors) [later also included by the printer Vincenti in the posthumous Monteverdi compilation Book IX, 1651] 5. Armato il cor d´adamantina fede (for two tenors) [previously included in Monteverdi´s 1632 volume Scherzi musicali and later also included in Book IX] 6a. Ogni amante è guerrier: nel suo gran regno (for two tenors) b. Io che nell´otio nacqui e d´otio vissi (bass solo) c. Ma per quell´ampio Egeo spieghi le vele (tenor solo) d. Riedi, ch´al nostro ardor, al nostro canto (for three voices: two tenors and bass) 7. Ardo, avvampo, mi struggo, ardo: accorrete (for eight voices with two violins) 8. Combattimento di Tancredi e Clorinda [Combat of Tancredi and Clorinda; for soprano, two tenors, basso continuo, plus two violins and viola da braccioq. Originally, four viole da braccio,] 9a. Introduzione al ballo [Introduction to the Ballet]: Volgendo il ciel per l´immortal sentiero [for tenor and two violins] b. Ballo [Ballet]: Movete al mio bel suon le piante snelle (for five voices with two violins) CANTI AMOROSI [SONGS OF LOVE] 10a. Altri canti di Marte e di sua schiera (for six voices and two violins) b. Due belli occhi fur l´armi onde traffittta [same voices and instruments] 11. Vago augelletto che cantando vai (for six and [afterward] seven voices with two violins and a contrabass) 12. Mentre vaga angioletta (for two tenors) 13. Ardo e scoprir, ahi lasso, io non ardisco (for two tenors) [later also included in Book IX] 14. O sia tranquillo il mare o pien d´orgoglio (for two tenors) [later also included in Book IX] 15a. Ninfa che, scalza il piede e sciolto il crine (tenor solo) b. Qui deh meco t´arresta, ove di fiori (for two tenors) c. Dell´usate mie corde al suon potrai (for three voices: two tenors and bass) 16. Dolcissimo uscignolo (for five voices, sung in full voice, in the French style) 17. Chi vol haver felice e lieto il core (for five voices, sung in full voice, in the French st 18a. Non havea Febo ancora (for three voices: two tenors and bass; in dramatic style) b. Lamento della ninfa [The Maiden´s Lament]: Amor, dov´è la fe´ (for four voices: canto [soprano], two tenors and bass) c. Sì tra sdegnosi pianti (for three voices: two tenors and bass) 19. Perchè te ´n fuggi, o Fillide? (for three voices: alto, tenor and bass) 20. Non partir, ritrosetta (for three voices: two altos and bass) 21. Su, su, su pastorelli vezzosi (for three voices: two canti [sopranos] and alto) 22. Ballo delle Ingrate [Ballet of the Ungrateful Women] (in dramatic style) [the performing forces are given in the text on page Xvii]

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Dover Monteverdi Claudio - Madrigals - Book Iv ...
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DescriptionThese 39 secular madrigals represent the peak of the music that Monteverdi produced in the first half of his life (Grove´s Dictionary) and are essential to the repertoire of serious vocal students. Amateurs and professionals alike will enjoy the new English translations printed alongside the most reliable Italian text. Preface and translations by Stanley Appelbaum. Reprint of Tomo IV and Tomo V of Tutte le opere di Claudio Monteverdi, published nel Vittoriale degli Italiani, 1927.SonglistA Un Giro Sol De´ Begl´occhi LucentiAh, Dolente Partita!Ahi, Com´a Un Vago Sol Cortese GiroAmore, Se Giusto SeiAnima Del Cor MioAnima Dolorosa Che VivendoAnima Mia, PerdonaChe Dar Piú Vi Poss´io?Che Se Tu Se´ ´L Cor MioCh´i´ T´ami, E T´ami Piú Vi Di La Mia VitaCor Mio, Mentre Vi MiroCor Mio, Non Mori? E Mori!Cruda Amarilli, Che Col Nome AncoraDeh! Bella E Cara E Sí Soave Un TempoDorinda, Ah! Dirò Mia Se Mia Non SeiE Cosí A Poco A PocoEcco, Piegando Le Ginocchia A TerraEcco, Silvio, Colei Che ´N Odio Hai TantoEra L´anima MiaFerir Quel Petto, Silvio?Io Mi Son GiovinettaLa Piaga C´ho Nel CoreLonge Da Te, Cor MioLuci Serene E ChiareMa Tu, Piú Che Mai DuraMa, Se Con La Pietá Non È In Te SpentaM´è Piú Dolce Il Penar Per AmarilliNon Piú Guerra, PietateO Mirtillo, Mirtillo, Anima MiaOhimè! Se Tanto AmatePiagn´e Sospira, E Quand´i Caldi RaggiQuel Augellin, Che CantaQuesti Vaghi ConcentiSfogava Con Le StelleSí Ch´io Vorrei MorireT´amo, Mia Vita La Mia Cara VitaTantoTroppo Ben Può Questo Tiranno AmoreVoi Pur Da Me Partite, Anima DuraVolgea L´anima Mia Soavemente

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Bosworth A New Tune A Day For Drums Book One + ...
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DescriptionIncludes demonstration DVD introducing basic techniques and notation. Since if first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionised music-making in the classroom and the home. Now, for the first time, C Paul Herfurth’s original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace, and keen attention to detail, but with a host of innovations: the inclusion of an audio CD – with actual performances and backing tracks – will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. The book contains: Advice on equipment Instructions for an effective technique and a comfortable posture Explanatory section on reading drum notation Easy-to-follow lessons on clear, uncluttered pages Audio CD with a virtuoso performance, backing tracks and audio examples Compatible with A New Tune A Day for Electric Guitar and A New Tune A Day for Bass Guitar Tests to check progress and comprehension Useful pull-out library of drum grooves. An all-round drummer Chris Baker played jazz in his early years in the English Midlands, before relocating to Los Angeles to study under some of the legends of modern drumming: Steve Houghton (Woody Herman), Ralph Humphries (Frank Zappa) and Joe Porcaro (Frank Sinatra). Chris has toured internationally and records with a wide range of important ensembles. He continues to develop headhandsfeet, a successful teaching practice. Chris currently divides his time between London and the Midlands.

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Imp Erskine Peter - My Book
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Eine Frage ? Eine Beratung ?Unsere Mitarbeiter stehen zu Ihrer Verfugung, wenn Sie technische Fragen haben oder nur einfach eine Verfugbarkeit kennen mochten. Bitte rufen Sie uns an, ein deutschsprechender Kollege wird Ihnen beantworten.

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